Warm, even though it rains a lot, and with a very dry sense of humour. Jarvis always treated Sheffield the city as a character in her own right, and that she is. I left home at 19 to go and study in a city that only existed in my imagination from Jarvis Cocker’s lyrics. ![]() Sheffield formed me in a way or forged me. More recently as a visual artist Sheffield’s Brutalist architecture has been an immense influence on my work, which I do from my studio in Bury St Edmunds - although I have returned and performed as a solo artist at Tramlines festival twice and sung with Sheffield legends Heaven 17 as well as appearing on the third B.E.F record “Dark”. Sheffield has a distinct attitude and sound, a DIY ethic that once installed doesn’t leave you. Pulp in particular but also The Human League, Cabaret Voltaire, Heaven 17 and Moloko. I was drawn to Sheffield because of its musical history. Sheffield was our Ballardian playground and our Warholian Factory, it formed our ethos and our sound. As a band, we played in venues all over the city, used its former factory buildings as practice spaces and DJ’d in its many pubs and clubs. Baby Boom would be her last series, and she instead focused her career on made-for-television films and guest spots on series.This city was my home for 10 years, first as a student at the University of Sheffield and then working in Freshman’s vintage clothes shop by day and singing in The Long Blondes by night, before the band signed to Rough Trade Records and we became full-time artists. Jackson again recovered from cancer after a partial mastectomy and returned to work. The show was canceled after one season, and Jackson discovered that her cancer had returned and underwent another treatment regime. Ever popular with producers, Jackson was offered the lead role in Baby Boom, a series adapted from the 1987 film of the same title. Although Jackson recovered, the show was cancelled. During the end of the show's third season, Jackson was diagnosed with breast cancer, and thus she played a greatly reduced part in the fourth season. The show was hugely popular and garnered Jackson Emmy and Golden Globe nominations for best actress in 1985. King (produced by Shoot the Moon), playing a divorced housewife who gets involved in the international intrigue of a spy, played by Bruce Boxleitner (codename: Scarecrow). ![]() In 1983, she starred in the comedic espionage series Scarecrow and Mrs. Her success also earned her continuing roles in made-for-television movies, including the pilot for the series James at 15 and Roger Corman's Thunder and Lightning.ĭespite turmoil in her personal life, Jackson continued to act in television and feature films, including the critically praised Making Love (1982). ![]() According to Jackson and the producers, it was also Jackson's idea to keep the identity of the head of the detective agency secret from the "Angels." The show was an instant success and garnered Jackson Emmy and Golden Globes nominations for best actress for all three seasons. The show creators finally settled on Charlie's Angels so as to avoid confusion with the already existing show Harry-O. Apparently inspired by a piece of art hanging in Spellings' office, she suggested that the series be named Harry's Angels. In its original conception, the series was named The Alley Cats, but Jackson took issue with the name. When The Rookies was cancelled, Spelling, through his Spelling/Goldberg Productions, signed Jackson to a role in a new detective series he was developing. Jackson would play nurse Jill Danko, wife of lead character Mike Danko (played by veteran actor Sam Melville) for four seasons to high acclaim and great popularity with viewers. These roles brought Jackson to the attention of famed television producer Aaron Spelling, who offered her a role on his new police series The Rookies. Kate Jackson was one of the pioneers of the 1970s TV series 'Charlie's Angels.' She played a significant part by giving the classic show its title and taking on the prestigious role of one of the angels, Sabrina Duncan.
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